It seems that the architect has piled up different volumes, one on the others: one volume of offices and one volume of housingįor the tower B, one volume of offices and two shifted volumes of housing for the tower A. Here the architect plays with the volumes: actually the tower A is made up of two volumes of housing with equivalent proportions, and slightly shifted. Then, two blocks, with different heights, seem to be floating above the platforms and accommodate the housings. As they are not taller than the nearby blocks, the platforms respect and extend their horizontality. The buildings are both made up of a platform, entirely in glass, independent, with the same height (R+2) and accommodating It is a different idea of the web, which we might call slow web. banners, pop-ups or other distracting noise. No 'click me,' 'tweet me, 'share me,” 'like me.' No advertising.

Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: 'you make money only if you manage to distract your readers from the contents of your own site.' With divisare we want to offer the possibility, instead, of perceiving content without distractions. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme.

So we began to build divisare not vertically, but horizontally. May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the 'cover story,' 'the focus.'Ĭontent that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2.

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